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The tones explored--tender, comic, wry, tragic--interrogate male subjectivity and privilege, as they examine their \"embarrassed desires\" for familial connection, sexual love, compassion, and repair. \u003c\/span\u003e\u003ci\u003eRevising the Storm\u003c\/i\u003e\u003cspan\u003e also speaks to the sons and daughters affected by the drug\/crack epidemic of the '80s and addresses issues of masculinity and its importance in family. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSome nights I hear my father's long romance\u003cbr\u003ewith drugs echoed in the skeletal choir\u003cbr\u003eof crickets.\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGeffrey Davis\u003c\/b\u003e\u003cspan\u003e holds an MFA and a PhD from Penn State University. 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Women's Studies. \"Bettina Judd's phenomenal debut poetry collection, PATIENT., is about recovery in many senses: recovery of the subjectivity of several historical figures, through the recovery, reconstitution, and telling of their stories—among them Anarcha Westcott, Betsey Harris, Lucy Zimmerman, Joice Heth, Saartjie Baartman, and Henrietta Lacks, who were infamously 'patients' or subjects of inspection and 'plunder' by, among others, J. Marion Sims, the controversial gynecologist, and P.T. Barnum, showman and circus founder. 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Born from a series of conceptual art exhibitions, the perspectives gathered here are no where near monochromatic. \"Craving nuance over stereotype, we sought out Black children, Black youth, LGBTQ+ Black folks, unsheltered Black folks, incarcerated Black folks, neurodivergent Black folks, as well as differently-abled Black folks.\" Each insists on their own variance and challenges every reader to witness for themselves that Black Lives (and Imaginations) Matter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31566063468567,"sku":"9781944211844","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/ibg.common.titledetail-1_3a72ad11-1d80-4ea4-b58d-cb8ae041b753.gif?v=1591482052"},{"product_id":"flame-amber-ordinary-cruelty","title":"Flame, Amber: Ordinary Cruelty","description":"(Write Bloody Press, 2017)","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31566064517143,"sku":"9781938912702","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/ibg.common.titledetail-2_8c4ae4b5-004b-47ca-9d76-1caf853e586a.gif?v=1591482140"},{"product_id":"lilley-gary-copeland-alpa-zulu","title":"Lilley, Gary Copeland: Alpa Zulu","description":"(Ausable Press, 2008)","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31566066090007,"sku":"9781931337380","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/ibg.common.titledetail-3.gif?v=1591482330"},{"product_id":"mcelroy-colleen-j-blood-memory","title":"McElroy, Colleen J.: Blood Memory","description":"\u003cp\u003eUniversity of Pittsburgh (paperback, 2016)\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: \u003ci\u003eBlood Memory\u003c\/i\u003e\u003cspan\u003e, Colleen J. McElroy's , collection of narrative poetry, emerges from deep seated memories with enormous emotion. Through the rhythms and musicality unique to McElroy's voice, it portrays an extended family, a complex culture spanning several decades, multiple victories and failures, and a single brilliant soul that frames the poems. Dedicated to McElroy's mother, the book is universal in its scope, inescapable in its earthy particularity. McElroy writes, \"I am the last female of a family\/ of women who wove the fabric\/ of stories into doilies and slip covers...\/\" \u003c\/span\u003e\u003ci\u003eBlood Memory\u003c\/i\u003e\u003cspan\u003e offers consummate storytelling and unforgettable poetry capturing a place and time gone forever. 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The desire to do this work came from being a child of parents born and raised in New Orleans during segregation, who ultimately left for California in the late 1950s. After the death of her father in 2011, the fiction Paris had been writing gave way to poetry and short prose, which were heavily influenced by the questions she'd long been considering about narrative, power, memory, and freedom. The need to write this story became even more personal and pressing.\u003c\/p\u003e\n\u003cp\u003eWhile Paris sometimes uses the genre of \"memoir\" or \"hybrid memoir\" when referring to her work, in this case the term \"rememory,\" born from Toni Morrison's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBeloved\u003c\/i\u003e, feels most accurate. Paris is driven by the familial and historical spaces and by what happens when we remember seemingly disparate images and moments. 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The poetry collection \u003ci\u003eSouth Flight\u003c\/i\u003e is a eulogy, a blues, an unabashed love letter, and ragtime to the history of resistance, migration, and community in Black Oklahoma.\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":39362556919831,"sku":"9780820360904","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/jes.gif?v=1628728502"},{"product_id":"naihiwet-beelyn-plenty","title":"Naihiwet, BeeLyn: Plenty.","description":"\u003cp\u003eFinishing Line Press, paperback\u003c\/p\u003e\n\u003cp\u003ePublication Date: February 19, 2021\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: These poems oscillate beautifully between observing the vast and the small. They often live in the metaphorical world of the eye and its power to capture, to name, to make real, and to erase. As \u003cem\u003ePlenty\u003c\/em\u003e reveals the uncertain power of sight and of the word, this collection reminds us of the enduring echo of a past that shifts under our gaze. This vibrant and multilayered collection meditates on the ache of love and its fluid capacity to nourish and destroy, like water. In one moment, we see the mirage of the one person’s salvation in another’s face. In the next moment, we see that same person gathered together, whole, through the power of her own recognition. These poems compel us to see ourselves and see each other anew. –Natalie J. Graham, author of \u003cem\u003eBegin with a Failed Body\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn this fine first collection, BeeLyn Naihiwet offers us tender, unflinching poems that immerse us in experiences both personal and universal. Through her clear-eyed and compassionate observations on love and family, the poet provides us a map through the often-treacherous geography of the heart. The narrator of \u003cem\u003ePlenty \u003c\/em\u003eis one who fights courageously for relationship; accepts disappointment with fierce grace. In these exquisite poems, Naihiwet reveals she is more than enough as both a woman and poet: she is plenty. –Joy Roulier Sawyer, author of \u003cem\u003eLifeguards \u003c\/em\u003eand \u003cem\u003eTongues of Men and Angels\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBeeLyn Naihiwet’s \u003cem\u003ePlenty \u003c\/em\u003eis full of gifts. It tells stories that take readers into an intimate moment or through a life’s journey rendered on a page. It is also peppered with short poems as quick as a koan that flash with brilliance, bright as well-cut gems. I appreciate Naihiwet’s voice—candid, clear and straightforward, yet full of range—humor, flirtation, anger, and longing. At the same time, a current of sound and craft ripples pleasantly underneath these poems, never distracting from the stories she tells, but adding an extra depth of pleasure. I came to look forward to the characters of her family who reappear, whether at a diner or from the dead, who help tell the larger story of a woman finding her place in “the northwestern corner \/ of a stable and racist Western Society,” a place within a family, with an intimate other, and in congruence with her self. –Jayne Relaford Brown, author of \u003cem\u003eMy First Real Tree (\u003c\/em\u003eFootHills)\u003cem\u003e \u003c\/em\u003eand “Finding Her Here”;  2019-2021 Poet Laureate of Berks County, Pennsylvania.\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":39385056903191,"sku":"9781646624232","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/bln.jpg?v=1631906842"},{"product_id":"joy-has-a-sound-black-sonic-visions","title":"Johnson, Elisheba \u0026 Rachel Kessler (eds.): Joy Has a Sound: Black Sonic Visions","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 3rd Thing, paperback\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublication Date: November 16, 2021\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublisher Marketing: \u003cspan data-mce-fragment=\"1\"\u003eThis anthology is a poly-vocal, visually stunning answer to the question, What are the sounds of community and how they are handed down? 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Baker is a poet and educator from Seattle. His current focus is the fact of blackness in American society. His work has appeared in Vinyl, Apogee, Poetry Northwest, The James Franco Review, Cura and in the anthologies Measure for Measure: An Anthology of Poetic Meters and It Was Written: Poetry Inspired by Hip-Hop. Baker has an MFA in Poetry from the University of Southern Maine and is a two-time Pushcart Prize nominee. He is a 2015-2016 Made at Hugo House fellow and the recipient of the 2016 James W. Ray Venture Project Award. He is also the author of the chapbook Diglossic in the Second America from Punch Press. 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