Chapbook, Slapering Hol Press

“When Alexander and Stefanon scrutinize the variegated surfaces of Romare Bearden’s art, the intensity of their gazes gives way to speech. In the blues of ‘Reclining Nude,’ Stefanon’s speaker discovers ‘I could hear / her holding / her breath.’ Alexander finds images that transmute into sounds: ‘Flowered dresses. / A woman’s holler. River or guitar.’ In the hands of these poets, ekphrasis is an act of inquiry, a mode of poetic transformation as well as cultural analysis. For both, the lacunae inherent in acts of reading and looking are openings for empathy, uncertainty, discourse”—Barbara Fischer