{"title":"History by Black \u0026 Indigenous Women \u0026 Femmes","description":"A collection of works that explore histories both personal and public.","products":[{"product_id":"houses-of-ravicka-by-renee-gladman","title":"Gladman, Renee: Houses of Ravicka","description":"\u003cp\u003e\u003cem\u003eHouses of Ravicka \u003c\/em\u003eby Renee Gladman (Dorothy a Publishing Project, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: November 1, 2017\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: Fiction. African \u0026amp; African American Studies. Women's Studies. LGBTQIA Studies. Ravicka's comptroller, author of \"Regulating the Book of Regulations,\" seems to have lost a house. It is not where it's supposed to be, though an invisible house on the far side of town, which corresponds to the missing house, remains appropriately invisible. Inside the invisible house, a nameless Ravickian considers how she came to the life she is living, and investigates the deep history of Ravicka—that mysterious city-country born of Renee Gladman's philosophical, funny, audacious, extraordinary imagination.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Gladman inverts \u003c\/span\u003e\u003cem\u003e1984\u003c\/em\u003e\u003cspan\u003e in her inventive fourth novel\"—Publisher's Weekly\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The Ravikian novels exalt the primacy of language to further imaginative possibility, which dominant and oppressive regimes would shut down. Gladman's writing cleaves to the luminous. It slips through the gaps in our thinking to pluralise, queer, subvert, and mobilise. These books are strange but, through a bright and deft poetic obliquity, they shine an incomparable light onto our contemporary moment.\"—\u003c\/span\u003e\u003cem\u003eThe White Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"HOUSES OF RAVICKA is certainly the most plot-heavy of the Ravicka series, with a central problem that never truly gets resolved, but its joy, as with the previous novels, lives in Gladman's whimsical approach to crafting sentences and situations that are at once absurd and illuminating.\"—\u003c\/span\u003e\u003cem\u003eThe Village Voice\u003c\/em\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31302498091031,"sku":"9780997366662","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_22cf2412-5565-401f-9c35-dfa88eda3159.jpg?v=1585508375"},{"product_id":"the-age-of-phillis-by-honore-fanonne-jeffers","title":"Jeffers, Honorée Fanonne: The Age of Phillis (hardcover)","description":"\u003cp\u003e\u003cem\u003eThe Age of Phillis\u003c\/em\u003e by Honorée Fanonne Jeffers (Wesleyan University Press, hardcover) \u003c\/p\u003e\n\u003cp\u003ePublication Date: March 3, 2020\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/open-books-a-poem-emporium.myshopify.com\/collections\/staff-picks\"\u003eStaff Pick:\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI hope this doesn’t sound too reductive because I mean it in the best way possible(!), but while reading this collection, I felt I had stumbled upon a history book I never knew I wanted—one that showed so much precision, depth, and compassion for its immense speakers. Spending time with these poems reignited in me a profound love for poetry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHonorée Fanonne Jeffers wonderfully succeeds in shedding new light on Phillis Wheatley and the time in which she lived. Through a variety of forms, such as persona, epistolary, ekphrastic, and found poems, this new collection presents a radical poetic study of one of history’s most important writers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe book begins with Wheatley’s life before arriving in the Americas—with a birthing ceremony, a mother and a father, somewhere in The Gambia. Then we see conquerors arrive and steal people from their homes. Other poems trace routes up and down the coast of West Africa, and letters are sent across waves in a variety of voices and languages I felt were given thoughtful, respectful consideration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Age of Phillis\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, attention is paramount. Jeffers sustains it, unrelentingly, aiming toward the periphery, venturing headfirst into the gaps and holes in history, refusing to look away from the long, brutal work of colonialism. And this brave attention lends each poem’s speaker an uncanny familiarity. Jeffers brings their stories and songs forward into our own time, successfully linking them to the injustices we see and feel today. For instance, alongside poems centered around historical archives are poems about contemporary mothers neglected by border patrol agents and children locked in cages along the U.S.-Mexico border. How can anybody speak of the past without pointing to the ongoing atrocities of the present?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhat weaves together such large swaths of time are always these questions of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ewhy? how? who?\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ewhere?\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e But what happens when there are no answers? What if the answers are muddied or disorienting or, worse, overwhelming? This is where Jeffers and her highly skilled craft shine. In the more than 200 pages, rounded out with hefty notes and bibliographies, I didn’t come across a single poem that felt extraneous.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach poem has a sense of music, adding to a rhythm sometimes incantatory, sometimes meaningfully discordant. Each has a distinct tonal landscape, yet they still speak to one another. Sometimes poems delighted me with new insight; sometimes they disgusted me with detail; sometimes they enraged me with image. Whether expanding a canon, imagining a new reality, or confronting the injustices which still ail our planet, Jeffers’s poems are powerful compositions for serious intrigue. In actuality, Wheatley set off immeasurable rifts, which still inform human experience today and will inspire countless imaginations for generations to come.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI can’t overstate just how much I want everybody to read this book! I have never encountered a study of Wheatley, let alone a book of poems, that so vividly paints anybody’s existence and the time in which they lived in such a resounding way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e—Jeric Smith\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGeneral George Washington Rereads a Poem and Letter He Received From Phillis Wheatley, and Agonizes Over His Response\u003cbr\u003e\u003cbr\u003eFebruary 28, 1776\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eHer letter trembles in my hand, dances\u003cbr\u003e with confusion, swaying past the stars––\u003cbr\u003e\u003cbr\u003ethat she perched on fissures, such black chance:\u003cbr\u003e on those black cheeks are there pagan scars?\u003cbr\u003e\u003cbr\u003eAn African, a girl who wrote this poem,\u003cbr\u003e the hand graceful, the verse so stoked with praise\u003cbr\u003e\u003cbr\u003ethat I am consumed by clattering omen––\u003cbr\u003e bold, she wrote to me, none of my house slaves\u003cbr\u003e\u003cbr\u003ewould dare, would be allowed this presumption\u003cbr\u003e but northern men encourage the spilling\u003cbr\u003e\u003cbr\u003eof ink by women and blacks, the gumption\u003cbr\u003e of those who serve and cost pound and shilling.\u003cbr\u003e\u003cbr\u003eHer quill and life defy my age’s Reason.\u003cbr\u003eShe steps in God’s house, a different season.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublication Marketing:\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn 1773, a young, African American woman named Phillis Wheatley published a book of poetry that challenged Western prejudices about African and female intellectual capabilities. Based on fifteen years of archival research, The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, and her marriage to the enigmatic John Peters. Woven throughout are poems about Wheatley's \"age\"—the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. For the first time in verse, Wheatley's relationship to black people and their individual \"mercies\" is foregrounded, and here we see her as not simply a racial or literary symbol, but a human being who lived and loved while making her indelible mark on history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31304810364951,"sku":"9780819579492","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_7ad5f207-84b4-4b67-8387-95d7c22187cf.jpg?v=1585610385"},{"product_id":"jump-the-clock-new-selected-poems-by-erica-hunt","title":"Hunt, Erica: Jump the Clock: New \u0026 Selected Poems","description":"\u003cp\u003e\u003cem\u003eJump the Clock: New \u0026amp; Selected Poems\u003c\/em\u003e by Erica Hunt (Nightboat Books, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: November 10, 2020\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: \"\u003cspan\u003eErica Hunt writes at the intersection of poetry and emancipatory politics--racial and gender justice, feminist ethics, and participatory democracy--showing us that altering our reading strategies frames our experiences. 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These poems document an education in white supremacist ideology that began in infancy and occurred everywhere: at home where the author lived with her white mother, 1261 kilometres away from her Chinese migrant father's family; in public institutions such as the school, the library, and the museum that erase Indigenous peoples' histories while producing the myth of the 'vanishing Indians;' and in the media and entertainment in which white supremacist beauty standards are constructed and reinforced. Keenly attuned to the language of those in power, Eng exposes the violence of the English language in the colonial project, taking on the words of Canadian politician F. W. Gershaw's history of the city of Medicine Hat as occasioned by Canada's Centennial, to derail the superficially neutral language of yt history that mythologizes nation and city while simultaneously deriding Indigenous ways of being (ontology) and ways of knowing (epistemology) as 'legends' or 'myths.' Like the author herself, my yt mama is hybrid: part memoir, part history, part discourse analysis, part love letter to her mother.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31304816787479,"sku":"9781772012552","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_d8a74961-1ec9-47c2-895e-082edf57846c.jpg?v=1585610566"},{"product_id":"white-blood-a-lyric-of-virginia-by-kiki-petrosino","title":"Petrosino, Kiki: White Blood: A Lyric of Virginia","description":"\u003cp\u003e\u003cem\u003eWhite Blood: A Lyric of Virginia\u003c\/em\u003e by Kiki Petrosino (Sarabande Books, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: May 5, 2020\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: \"\u003cspan\u003eIn her fourth full-length book, \u003c\/span\u003e\u003ci\u003eWhite Blood: A Lyric of Virginia\u003c\/i\u003e\u003cspan\u003e, Kiki Petrosino turns her gaze to Virginia, where she digs into her genealogical and intellectual roots, while contemplating the knotty legacies of slavery and discrimination in the Upper South. From a stunning double crown sonnet, to erasure poetry contained within DNA testing results, the poems in this collection are as wide-ranging in form as they are bountiful in wordplay and truth. In her poem 'The Shop at Monticello, ' she writes: 'I'm a black body in this Commonwealth, which turned black bodies\/ into money. Now, I have money to spend on little trinkets to remind me\/ of this fact. I'm a money machine \u0026amp; my body constitutes the common wealth.' Speaking to history, loss, and injustice with wisdom, innovation, and a scientific determination to find the poetic truth, \u003c\/span\u003e\u003ci\u003eWhite Blood\u003c\/i\u003e\u003cspan\u003e plants Petrosino's name ever more firmly in the contemporary canon.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31304818262039,"sku":"9781946448545","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_32cd4fe5-6022-4275-85df-3f01305c4bf7.jpg?v=1585610610"},{"product_id":"corpse-whale-by-dg-nanouk-okpik","title":"okpik, dg nanouk: Corpse Whale","description":"\u003cp\u003eUniversity of Arizona Press (paperback, 2012)\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: A self-proclaimed \"vessel in which stories are told from time immemorial,\" poet dg nanouk okpik seamlessly melds both traditional and contemporary narrative, setting her apart from her peers. The result is a collection of poems that are steeped in the perspective of an Inuit of the twenty-first century--a perspective that is fresh, vibrant, and rarely seen in contemporary poetics.\u003c\/p\u003e\n\u003cp\u003eFearless in her craft, okpik brings an experimental, yet poignant, hybrid aesthetic to her first book, making it truly one of a kind. \"It takes all of us seeing, hearing, touching, tasting, and smelling to be one,\" she says, embodying these words in her work. Every sense is amplified as the poems, carefully arranged, pull the reader into their worlds. While each poem stands on its own, they flow together throughout the collection into a single cohesive body.\u003c\/p\u003e\n\u003cp\u003eThe book quickly sets up its own rhythms, moving the reader through interior and exterior landscapes, dark and light, and other spaces both ecological and spiritual. These narrative, and often visionary, poems let the lives of animal species and the power of natural processes weave into the human psyche, and vice versa.\u003c\/p\u003e\n\u003cp\u003eOkpik's descriptive rhythms ground the reader in movement and music that transcend everyday logic and open up our hearts to the richness of meaning available in the interior and exterior worlds.\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31324667772951,"sku":"9780816526741","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_c6f02ba1-d3b3-4e04-a76c-f10c18c402ca.jpg?v=1586398993"},{"product_id":"dub-finding-ceremony-by-alexis-pauline-gumbs","title":"Gumbs, Alexis Pauline: Dub: Finding Ceremony","description":"\u003cp\u003eDuke University Press, paperback\u003c\/p\u003e\n\u003cp\u003ePublication Date: February 14, 2020\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: \u003cspan data-mce-fragment=\"1\"\u003eThe concluding volume in a poetic trilogy, Alexis Pauline Gumbs's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDub: Finding Ceremony\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. 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Would I teach her to be pieces? Until a friend comforted, Don't worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father's language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.\u003c\/p\u003e\n\u003cp\u003e--from \"WHEREAS Statements\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. \"I am,\" she writes, \"a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation--and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.\" This strident, plaintive book introduces a major new voice in contemporary literature.\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31329694318615,"sku":"9781555977672","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/Whereas-cover.jpg?v=1586471726"},{"product_id":"keller-christoph-levi-jan-heller-eds-were-on-a-june-jordan-reader","title":"Jordan, June: We're On: A June Jordan Reader","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eEdited by Christoph Keller \u0026amp; Jan Heller Levi. Alice James Books (paperback, 2017)\u003c\/p\u003e\n\u003cp\u003eCulled from over twenty-five works of poetry, fiction, criticism, and collaboration, June Jordan’s pieces that appear in this reader showcase Jordan's ability to use language to punch holes in the fabric of political oppression, holes through which we just might be able to breathe.\u003c\/p\u003e\n\u003cp\u003e—Gabrielle Bates\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\"These Poems\"\u003c\/p\u003e\n\u003cp\u003eThese poems\u003cbr\u003ethey are things that I do\u003cbr\u003ein the dark\u003cbr\u003ereaching for you\u003cbr\u003ewhoever you are\u003c\/p\u003e\n\u003cp\u003eand\u003cbr\u003eare you ready?\u003c\/p\u003e\n\u003cp\u003eThese words\u003cbr\u003ethey are stones in the water\u003cbr\u003erunning away\u003c\/p\u003e\n\u003cp\u003eThese skeletal lines\u003cbr\u003ethey are desperate arms for my longing and love.\u003c\/p\u003e\n\u003cp\u003eI am a stranger\u003cbr\u003elearning to worship the strangers\u003cbr\u003earound me\u003c\/p\u003e\n\u003cp\u003ewhoever you are\u003c\/p\u003e\n\u003cp\u003ewhoever I may become.\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31329720696855,"sku":"9781938584350","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/Were-On-June-Jordan.jpg?v=1586485921"},{"product_id":"youre-the-most-beautiful-thing-that-happened-by-arisa-white","title":"White, Arisa: You're the Most Beautiful Thing That Happened","description":"\u003cp\u003e\u003cem\u003eYou're the Most Beautiful Thing That Happened \u003c\/em\u003eby Arisa White (Augury Books, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: October 21, 2016\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: Poetry. LGBTQIA Studies. California Interest. African \u0026amp; African American Studies. Women's Studies. Lambda Literary Award Finalist for Lesbian Poetry. Angular, smart, and fearless, Arisa White's newest collection takes its titles from words used internationally as hate speech against gays and lesbians, reworking, re-envisioning, and re-embodying language as a conduit for art, love, and understanding. \"To live freely, observantly as a politically astute, sensually perceptive Queer Black woman is to be risk taker, at risk, a perceived danger to others and even dangerous to\/as oneself,\" writes poet Tracie Morris. \"White's attentive word substitutions and range of organized forms, lithe anecdotes, and disturbed resonances put us in the middle of living a realized, intelligent life of the senses.\" YOU'RE THE MOST BEAUTIFUL THING THAT HAPPENED works through intersectional encounters with gender, identity, and human barbarism, landing deftly and defiantly in beauty.\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31337261727767,"sku":"9780988735576","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_54453d06-15df-496a-94d0-146b8033e1d2.jpg?v=1586745685"},{"product_id":"patient-by-bettina-judd","title":"Judd, Bettina: Patient.","description":"\u003cp\u003e\u003cem\u003ePatient. \u003c\/em\u003eby Bettina Judd (Black Lawrence Press, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: November 30, 2014\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: Poetry. African American Studies. Women's Studies. \"Bettina Judd's phenomenal debut poetry collection, PATIENT., is about recovery in many senses: recovery of the subjectivity of several historical figures, through the recovery, reconstitution, and telling of their stories—among them Anarcha Westcott, Betsey Harris, Lucy Zimmerman, Joice Heth, Saartjie Baartman, and Henrietta Lacks, who were infamously 'patients' or subjects of inspection and 'plunder' by, among others, J. Marion Sims, the controversial gynecologist, and P.T. Barnum, showman and circus founder. Sims (and the speculum) and Barnum are the featured antagonists in many of these flawlessly empathetic poems, but an unnamed speaker who adds a contemporary voice to the lyric chorus implicates those in charge of her care during a present-day hospital stay at Johns Hopkins—suggesting the linkage of modern medical treatment to the traumas vulnerable Black women, enslaved and not, suffered at the hands of unethical scientists and physicians in earlier eras.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the collection's opening poem, the speaker reckons, '...verdicts come in a bloodline' and she determines 'to recover' from 'an ordeal with medicine' by 'learn[ing] why ghosts come to me.' She ends her testimony by asking, 'Why am I patient?' (Read that line in however many nuanced ways you want.) In this profoundly layered witnessing, the subject might be 'in the dark ghetto of my body,' or 'an idea of metaphors that live where bodies cannot.' Yet even as Judd vividly evokes the precise brutalities visited upon the Black female body and psyche—letting us see and hear women who 'quieted \/ broke into many pieces'—these poems also speak of 'shedding something,' 'another kind of sloughing.' Ultimately, PATIENT. enacts a healing and move toward wholeness, recovery of, as one speaker puts it, 'spirit [that] flees the body and \/ its treacherous \/ tearing.'\"—Sharan Strange\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31337271459863,"sku":"9781625579232","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_5bb315fa-218c-4946-ac65-e9661bcd0f4b.jpg?v=1586745922"},{"product_id":"letters-to-the-future-black-women-radical-writing-by-erica-hunt","title":"Hunt, Erica \u0026 Martin, Dawn Lundy (eds.): Letters to the Future: Black Women \/ Radical Writing","description":"\u003cp\u003e\u003cem\u003eLetters to the Future: Black Women \/ Radical Writing \u003c\/em\u003eEdited by Erica Hunt \u0026amp; Dawn Lundy Martin (Kore Press, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: August 17, 2018\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: Poetry. African \u0026amp; African American Studies. LGBTQIA Studies. Women's Studies. Art. Edited by Erica Hunt and Dawn Lundy Martin. A collection of poems, essays, elder conversations, and visual works, LETTERS TO THE FUTURE: BLACK WOMEN \/ RADICAL WRITING, celebrates temporal, spatial, formal, and linguistically innovative literature. The anthology collects late-modern and contemporary work by Black women from the United States, England, Canada, and the Caribbean—work that challenges readers to participate in meaning making. Because one contextual framework for the collection is \"art as a form of epistemology,\" the writing in the anthology is the kind of work driven by the writer's desire to radically present, uncovering what she knows and does not know, as well as critically addressing the future.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eErica Hunt, in her introduction to the collection, says, \"The future is a slippery project. What can it hold? We asked writers to write about it, imagining the future as the present conjugated—conjoining the past, the present with some other time...One dimension that drew our curiosity was to know how this particular group of Black women writers would respond to the question of tomorrow. The Black women in this edition were writers we'd known or been introduced to who had been insistent makers of poems and prose that set up radical encounters between language, person, community and the political. We discussed these letters as we received them, marveling at the range of strategies to refract, forecast or expand the penumbra of the present into the shifting and dim lit future.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31337274081303,"sku":"9781888553857","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_18db7482-66e9-4497-bb5e-487c041ba822.jpg?v=1586745981"},{"product_id":"the-complete-works-of-pat-parker-by-pat-parker","title":"Parker, Pat: The Complete Works","description":"\u003cp\u003e\u003cem\u003eThe Complete Works of Pat Parker\u003c\/em\u003e (Midsummer Night's Press, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: October 15, 2016\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: Poetry. Drama. California Interest. African \u0026amp; African American Studies. Women's Studies. \"Parker stayed woke to black suffering, violence against black bodies—especially those of black women—to the suffering engendered by multiple, egregious oppressions. With THE COMPLETE WORKS OF PAT PARKER, we are allowed an opportunity to historicize Pat Parker's significance to black women's literary traditions, lesbian erotics, to black queer struggles and black feminism, and to global social justice movements. She was in her time. Now, with this important text, she will be in all time to come.\"—Alexis De Veaux\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"As the Black Lives Matter movement calls attention to the grave risks Black people have always faced and as poets and artists wrestle with the question of how to marry the political and the personal in their work, we have never needed Pat Parker's work more. It is absolutely immediate, searing, salving, saving, and necessary.\"—Kazim Ali\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The poetry of Pat Parker reaches out to us anew and shakes our consciousness—fiercely.\"—Cheryl Clarke\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31337289056279,"sku":"9781938334221","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/content_8093f356-8e66-47f9-8560-4b590dffa40a.jpg?v=1586746248"},{"product_id":"sister-love-the-letters-of-audre-lorde-and-pat-parker-1974-1989-by-audre-lorde","title":"Lorde, Audre: Sister Love: The Letters of Audre Lorde and Pat Parker 1974-1989","description":"\u003cp\u003e\u003cem\u003eSister Love: The Letters of Audre Lorde and Pat Parker 1974-1989 \u003c\/em\u003eby Audre Lorde \u0026amp; Pat Parker Edited by Julie R. Enszer (A Midsummer Night's Press, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: February 15, 2018\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: Literary Nonfiction. Poetry. African \u0026amp; African American Studies. LGBTQIA Studies. Women's Studies. 2019 Over the Rainbow Booklist Selection for Nonfiction. Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidences through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and video tapes. SISTER LOVE: THE LETTERS OF AUDRE LORDE AND PAT PARKER 1974-1989 gathers this correspondence for readers to eavesdrop on Lorde and Parker. They discuss their work as writers as well as intimate details of their lives, including periods when each lived with cancer. 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Rejected by the elites during her lifetime, here's what people are saying now:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-- \u003c\/span\u003e\u003cb\u003eOne of the year's best! \"These poems are wildly fun and inventive . . . and frequently hilarious; they seem to cover every human experience and emotion.\"--\u003ci\u003eNew York Times\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--Winner, California Independent Bookseller Alliance 'Golden Poppy' Book Award 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e--\"Required Reading\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBustle\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--\"One of the greatest poets ever to come out of L.A.\" \u003c\/span\u003e\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e--One of the year's best! \"Fantastically entertaining and deeply engaging...potent distillations of creative rage, social critique, and subversive wit.\"--\u003ci\u003eWashington Post\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--\"Her work pushes us to confront injustice with as much candor as she did.\"-- \u003c\/span\u003e\u003ci\u003ePoetry\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA self-made writer from Black Los Angeles, Wanda Coleman made art while living every day with racism, poverty, violence. Her triumph is in words that endure. 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Hong On was born in San Francisco, CA, in 1895 and was orphaned shortly after. The concepts of U.S. government-designated recreational spaces, genocide, and intergenerational trauma are examined by Hong On's granddaughter, the author, who sees imperialistic residue in product, place, and color naming. At the core of this book is the speaker's Alaska Native great grandmother who is named \"Unknown: Indian\" on Hong On's birth certificate.\u003c\/span\u003e\u003c\/p\u003e","brand":"Open Books: A Poem Emporium","offers":[{"title":"Default Title","offer_id":31346926321687,"sku":"9781934819876","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/6497\/7956\/products\/upend.jpg?v=1586993867"},{"product_id":"10-06-2020-erdrich-heid-e-little-big-bully","title":"Erdrich, Heid E.: Little Big Bully","description":"\u003cp\u003e\u003cem\u003eLittle Big Bully \u003c\/em\u003eby Heid E. Erdrich (Penguin Books, paperback)\u003c\/p\u003e\n\u003cp\u003ePublication Date: October 6, 2020\u003c\/p\u003e\n\u003cp\u003ePublisher Marketing: In a new collection that is \"a force of nature\" (Amy Gerstler), renowned Native poet Heid E. Erdrich applies her rich inventive voice and fierce wit to the deforming effects of harassment and oppression.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLittle Big Bully\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ebegins with a question asked of a collective and troubled we - how did we come to this? In answer, this book offers personal myth, American and Native American contexts, and allegories driven by women's resistance to narcissists, stalkers, and harassers. These poems are immediate, personal, political, cultural, even futuristic object lessons. What is truth now? Who are we now? How do we find answers through the smoke of human destructiveness? The past for Indigenous people, ecosystem collapse from near-extinction of bison, and the present epidemic of missing and murdered Indigenous women underlie these poems. 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Everyday speech and the poem are collapsed, along with the unconscious, dreams of freedom, the will to exist. WHO DO WITH WORDS simply gives us an even more powerful map to the sunlit, non-binding and non-binary world Blerds have been seeking for centuries.\"--Robin D.G. 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